JULY 18th
THACKERAY BORN
In all things his great spirit had the grandeur and the weakness which belonged to the England of his time—an England splendidly secure and free, and yet (perhaps for that reason) provincial and innocent. He had nothing of the doctrinal quality of the French and Germans. He was not one who made up his mind, but one who let his mind make him up. He lay naturally open to all noble influences flowing around him; but he never bestirred himself to seek those that were not flowing or that flowed in opposite directions. Thus, for instance, he really loved liberty, as only a novelist can love it, a man mainly occupied with the variety and vivacity of men. But he could not see the cause of liberty except where the Victorian English saw it; he could not see it in the cause of Irish liberty (which was exactly like the cause of Polish or Italian liberty, except that it was led by much more religious and responsible men), and he made the Irish characters the object of much innocent and rather lumbering satire. But this was not his mistake, but the mistake of the atmosphere, and he was a sublime emotional Englishman, who lived by atmosphere. He was a great sensitive. The comparison between him and Dickens is commonly as clumsy and unreasonable as a comparison between Wilkie Collins and Charles Reade or Bulwer Lytton and Anthony Trollope. But the comparison really has this element of actuality: that Dickens was above all things creative; Thackeray was above all things receptive. There is no sense in talking about truth in the matter: both are modes of truth. If you like to put it so: the world imposed on Thackeray, and Dickens imposed on the world. But it could be put more truly by saying that Thackeray represents, in that gigantic parody called genius, the spirit of the Englishman in repose. This spirit is the idle embodiment of all of us; by his weaknesses we shall fail and by his enormous sanities we shall endure.
Introduction to 'Thackeray.'
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