'I know of a magic wand, but it is a wand that only one or two may rightly use, and only seldom. It is a fairy wand of great fear, stronger than those who use it—often frightful, often wicked to use. But whatever is touched with it is never again wholly common; whatever is touched with it takes a magic from outside the world. It has made mean landscapes magnificent and hovels outlast cathedrals. The touch of it is the finger of a strange perfection.
'There it is!'—he pointed to the floor where his sword lay flat and shining.
'The Napoleon of Notting Hill.'
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