FEBRUARY 20th
Now the reason why our fathers did not make marriage, in the middle-aged and static sense, the subject of their plays was a very simple one; it was that a play is a very bad place for discussing that topic. You cannot easily make a good drama out of the success or failure of a marriage, just as you could not make a good drama out of the growth of an oak-tree or the decay of an empire. As Polonius very reasonably observed, it is too long. A happy love-affair will make a drama simply because it is dramatic; it depends on an ultimate yes or no. But a happy marriage is not dramatic; perhaps it would be less happy if it were. The essence of a romantic heroine is that she asks herself an intense question; but the essence of a sensible wife is that she is much too sensible to ask herself any questions at all. All the things that make monogamy a success are in their nature undramatic things, the silent growth of an instinctive confidence, the common wounds and victories, the accumulation of customs, the rich maturing of old jokes. Sane marriage is an untheatrical thing; it is therefore not surprising that most modern dramatists have devoted themselves to insane marriage.
'George Bernard Shaw.'
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