The reason that Tolkien’s greatest love story has been largely unknown, except among aficionados, is that the story is little more than a footnote in The Lord of the Rings, in which the self-sacrificial adventures of the lovers are recounted, in passing, by Aragorn. They are, however, told at greater length in The Silmarillion and there are earlier versions of the story, told in both poetry and prose, in other posthumously published books.

Now, however, Tolkien’s greatest love story has finally taken center stage with the 2017 publication of Beren and Lúthien. Illustrated by the wonderful Tolkien artist, Alan Lee, and edited by Tolkien’s youngest and only surviving son, Christopher, the book draws from the various unfinished versions of the story to form a complete narrative, with minimal editorial intrusion. It will bring this neglected part of Tolkien’s corpus to the fore, simultaneously bringing two of literature’s greatest lovers into the limelight.

Those wishing to know more about Beren and Lúthien might want to purchase a little known book by John Carswell, entitled Tolkien’s Requiem: Concerning Beren and Lúthien (True Myths Press). This gives the backdrop to the story, connecting it with Tolkien’s other work and with its biographical context. Regarding the latter, it is significant that Tolkien had the name “Lúthien” inscribed on his wife’s tombstone. She was always his Lúthien, his greatest love story being inspired by his memory of the elven and sylphlike vision of her dancing in the woods in the first years of their marriage. After his own death, his family had the name “Beren” inscribed on the tomb that he now shared with his wife, uniting them in death as they had been united in life but also uniting them in the love story that their own love story had inspired.