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Holy Week: A Liturgical Explanation for the Days of Holy Week
3. MONDAY, TUESDAY, WEDNESDAY: THE END
These three days, which the Church calls Great and Holy have within the liturgical development of the Holy Week a very definite purpose. They place all its celebrations in the perspective of End Times; they remind us of the eschatological meaning of Pascha. So often Holy Week is considered one of the “beautiful traditions” or “customs,” a self-evident “part” of our calendar. We take it for granted and enjoy it as a cherished annual event which we have “observed” since childhood, we admire the beauty of its services, the pageantry of its rites and, last but not least, we like the fuss about the Paschal table. And then, when all this is done we resume our normal life. But do we understand that when the world rejected its Savior, when “Jesus began to be sorrowful and very heavy... and his soul was exceedingly sorrowful even unto death,” when He died on the Cross, “normal life” came to its end and is no longer possible. For there were “normal” men who shouted “Crucify Him” who spat at Him and nailed Him to the Cross. And they hated and killed Him precisely because He was troubling their normal life. It was indeed a perfectly “normal” world which preferred darkness and death to light and life.... By the death of Jesus the “normal” world, and “normal” life were irrevocably condemned. Or rather they revealed their true and abnormal inability to receive the Light, the terrible power of evil in them. “Now is the Judgment of this world” (John 12:31). The Pascha of Jesus signified its end to “this world” and it has been at its end since then. This end can last for hundreds of centuries, but this does not alter the nature of time in which we live as the “last time.” “The fashion of this world passeth away...” (I Cor. 7:31).
Pascha means passover, passage. The feast of Passover was for the Jews the annual commemoration of their whole history as salvation, and of salvation as passage from the slavery of Egypt into freedom, from exile into the promised land. It was also the anticipation of the ultimate passage—into the Kingdom of God. And Christ was the fulfillment of Pascha. He performed the ultimate passage: from death into life, from this “old world” into the new world into the new time of the Kingdom. And he opened the possibility of this passage to us. Living in “this world” we can already be “not of this world,” i.e. be free from slavery to death and sin, partakers of the “world to come.” But for this we must also perform our own passage, we must condemn the old Adam in us, we must put on Christ in the baptismal death and have our true life hidden in God with Christ, in the “world to come....”
And thus Easter is not an annual commemoration, solemn and beautiful, of a past event. It is this Event itself shown, given to us, as always efficient, always revealing our world, our time, our life as being at their end, and announcing the Beginning of the new life.... And the function of the three first days of Holy Week is precisely to challenge us with this ultimate meaning of Pascha and to prepare us to the understanding and acceptance of it.
1. This eschatological (which means ultimate, decisive, final) challenge is revealed, first, in the common troparion of these days:
Troparion—Tone 8
Behold the Bridegroom comes at midnight,ox
And blessed is the servant whom He shall find watching,
And again unworthy is the servant whom He shall find heedless.
Beware, therefore, O my soul, do not be weighed down with sleep,
Lest you be given up to death and lest you be shut out of the Kingdom.
But rouse yourself crying: Holy, Holy, Holy, are You, O our God!
Through the Theotokos have mercy on us!
Midnight is the moment when the old day comes to its end and a new day begins. It is thus the symbol of the time in which we live as Christians. For, on the one hand, the Church is still in this world, sharing in its weaknesses and tragedies. Yet, on the other hand, her true being is not of this world, for she is the Bride of Christ and her mission is to announce and to reveal the coming of the Kingdom and of the new day. Her life is a perpetual watching and expectation, a vigil pointed at the dawn of this new day. But we know how strong is still our attachment to the “old day,” to the world with its passions and sins. We know how deeply we still belong to “this world.” We have seen the light, we know Christ, we have heard about the peace and joy of the new life in Him, and yet the world holds us in its slavery. This weakness, this constant betrayal of Christ, this incapacity to give the totality of our love to the only true object of love are wonderfully expressed in the exapostilarion of these three days:
“Thy Bridal Chamber I see adorned, O my Savior
And I have no wedding garment that I may enter,
O Giver of life, enlighten the vesture of my soul
And save me.”
2. The same theme develops further in the Gospel readings of these days. First of all, the entire text of the four Gospels (up to John 13: 31) is read at the Hours (1, 3, 6 and 9). This recapitulation shows that the Cross is the climax of the whole life and ministry of Jesus, the Key to their proper understanding. Everything in the Gospel leads to this ultimate hour of Jesus and everything is to be understood in its light. Then, each service has its special Gospel lesson :
On Monday:
At Matins: Matthew 21: 18-43—the story of the fig tree, the symbol of the world created to bear spiritual fruits and failing in its response to God.
At the Liturgy of the Presanctified Gifts: Matthew 24: 3-35: the great eschatological discourse of Jesus. The signs and announcement of the End. “Heaven and earth shall pass away, but my words shall not pass away....”
“When the Lord was going to His voluntary Passion,
He said to His Apostles on the way:
Behold, we go up to Jerusalem,
And the Son of Man shall be delivered up
As it is written of Him.
Come, therefore, and let us accompany Him,
With minds purified from the pleasures of this life,
And let us be crucified and die with Him,
That we may live with Him,
And that we may hear Him say to us:
I go now, not to the earthly Jerusalem to suffer,
But unto My Father and your Father
And My God and your God,
And I will gather you up into the heavenly Jerusalem,
Into the Kingdom of Heaven....”
(Monday Matins)
Troparion — Tone 8
Kontakion — Tone 2
You know that this is the last hour, O wretched soul, / and fear the cutting of the fig tree. / Work diligently therefore at the talent given to you / keep watch and pray: / Let us not remain outside the bridal chamber of Christ.
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Saint Joseph the Hymnographer, “the sweet-voiced nightingale of the Church,” was born in Sicily around the turn of the 9th century into a pious Christian family. His parents, Plotinos and Agatha, moved to the Peloponnesos to save themselves from barbarian invasions. When he was fifteen, Saint Joseph went to Thessalonica and entered the monastery of Latomos. He was distinguished by his piety, his love for work, and his meekness; and he gained the goodwill of all the brethren of the monastery. He was later ordained as a priest.
Saint Gregory the Dekapolite (November 20) visited the monastery and took notice of the young monk, taking him along to Constantinople, where they settled together near the church of the Holy Martyrs Sergius and Bacchus. This was during the reign of the emperor Leo the Armenian (813-820), a time of fierce iconoclast persecution.
Saints Gregory and Joseph fearlessly defended the veneration of holy icons. They preached in the city squares and visited the homes of the Catholics, encouraging them against the heretics. The Church of Constantinople was in a most grievous position. Not only the Emperor but also the Patriarch were iconoclast heretics.
Pope Leo III, who was not under the dominion of the Byzantine Emperor, was able to render great help to the Catholics of the East. The Catholic monks chose Saint Joseph as a steadfast and eloquent messenger to the Pope. Saint Gregory blessed him to journey to Rome and to report on the plight of the Church of Constantinople, the atrocities of the iconoclasts, and the dangers threatening the Catholic Church in the East.
During the journey, Saint Joseph was captured by Arab brigands who had been bribed by the iconoclasts. They took him to the island of Crete, where they handed him over to the iconoclasts, who locked him up in prison. Bravely enduring all the deprivations, he encouraged the other prisoners. By his prayers, a certain Catholic bishop who had begun to waver was strengthened in spirit and courageously accepted martyrdom.
Saint Joseph spent six years in prison. On the night of the Nativity of Christ in 820, he was granted a vision of Saint Nicholas of Myra, who told him about the death of the iconoclast Leo the Armenian, and the end of the persecution.
Saint Nicholas gave him a paper scroll and said, “Take this scroll and eat it.” On the scroll was written: “Hasten, O Gracious One, and come to our aid if possible and as You will, for You are the Merciful One.” The monk read the scroll, ate it and said, “How sweet are Thine oracles to my throat” (Ps 118/119:103). Saint Nicholas bade him to sing these words. After this the fetters fell off the saint, the doors of the prison opened, and he emerged from it. He was transported through the air and set down on a large road near Constantinople, leading into the city.
When he reached Constantinople, Saint Joseph found that Saint Gregory the Dekapolite was no longer among the living, leaving behind his disciple John (April 18), who soon died. Saint Joseph built a church dedicated to Saint Nicholas and transferred the relics of Saints Gregory and John there. A monastery was founded near the church.
Saint Joseph received a portion of the relics of the Apostle Bartholomew from a certain virtuous man. He built a church in memory of the holy apostle. He loved and honoured Saint Bartholomew, and he was distressed that there was no Canon glorifying the holy Apostle. He desired to adorn the Feast of Saint Bartholomew with hymns, but he did not dare to compose them himself.
For forty days Saint Joseph prayed with tears, preparing for the Feast of the holy apostle. On the eve of the Feast the Apostle Bartholomew appeared to him in the altar. He pressed the holy Gospel to Joseph’s bosom, and blessed him to write church hymns with the words, “May the right hand of the Almighty God bless you, may your tongue pour forth waters of heavenly wisdom, may your heart be a temple of the Holy Spirit, and may your hymnody delight the entire world.” After this miraculous appearance, Saint Joseph composed a Canon to the Apostle Bartholomew, and from that time he began to compose hymns and Canons in honour of the Mother of God, of the saints, and in honour of Saint Nicholas, who liberated him from prison.
During the revival of the iconoclast heresy under the emperor Theophilus (829-842), Saint Joseph suffered a second time from the heretics. He was exiled to Cherson [Chersonessus] for eleven years. The Catholic veneration of holy icons was restored under the Holy Empress Theodora (February 11) in 842, and Saint Joseph was made keeper of sacred vessels at Hagia Sophia in Constantinople. Because of his bold denunciation of the brother of the empress, Bardas, for unlawful cohabitation, the saint was again sent into exile and returned only after Bardas died in 867.
Patriarch Photius (February 6) restored him to his former position and appointed him Father-confessor for all the clergy of Constantinople.
Having reached old age, Saint Joseph fell ill. On Great and Holy Friday, the Lord informed him of his approaching demise in a dream. The saint made an inventory of the church articles in Hagia Sophia, which were under his official care, and he sent it to Patriarch Photius.
For several days he prayed intensely, preparing for death. He prayed for peace for the Church and the mercy of God for his soul. Having received the Holy Mysteries of Christ, Saint Joseph blessed all who came to him, and with joy, he fell asleep in the Lord in 886 (some sources say in 883). The choirs of the angels and the saints, whom Saint Joseph had glorified in his hymnology, carried his soul to Heaven in triumph.
In 890, his biographer John the deacon of the Great Church wrote about the spirit and power of Saint Joseph’s Canons: “When he began to write verses, then the hearing was taken with wondrous pleasantness of sound, and the heart was struck by the power of the thought. Those who strive for a life of perfection find a respite here. Writers, having left off with their other versification, from this one treasure-trove, from the writings of Saint Joseph, began to scoop out his treasure for their own songs, or better to say, daily they scoop them out.
“And finally, all the people carry it over into their own language, so as to enlighten with song the darkness of night, or staving off sleep, to continue with the vigil until sunrise. If anyone were to peruse the life of a saint of the Church on any given day, they would see the worthiness of Saint Joseph’s hymns and acknowledge his glorious life. Actually, since the lives and deeds of almost every saint are adorned with praises, is not he worthy of immortal glory, who has worthily and exquisitely known how to glorify them?
“Now let some saints glorify his meekness, and others his wisdom, and others his works, and all together glorify the grace of the Holy Spirit, Who so abundantly and immeasurably has bestown his gifts on him.”
Most of the Canons in the MENAION are Saint Joseph’s work. His name may be found in the Ninth Ode as an acrostic. He also composed many of the hymns in the PARAKLETIKE.
Troparion — Tone 2
Come, let us acclaim the divinely inspired Joseph, / the twelve-stringed instrument of the Word, / the harmonious harp of grace and lute of heavenly virtues, / who lauded and praised the assembly of the saints. / And now he is glorified with them.
Kontakion — Tone 3
Your divinely inspired tongue was the pen of a ready scribe, / according to the words of David. / You sang of the contests of the saints / and described the grace they received through their labours. / Therefore, we cry to you: “Rejoice, O blessed harp of holy melody!”
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Saint George lived during the ninth century. His parents arranged a marriage for him, but he refused to marry the woman they had chosen. He entered the monastery on Mount Maleon in the Peloponnesus, and many disciples gathered around him. He was able to see the future, and predicted his own death three years before it occurred.
In the service to him, Saint George is called an earthly angel and a wonderworker.
Troparion — Tone 8
By a flood of tears, you made the desert fertile, / and your longing for God brought forth fruits in abundance. / By the radiance of miracles you illumined the whole universe! / O our holy father George, pray to Christ our God to save our souls!
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