From Liturgical Arts Journal
By Shawn Tribe
In order to help demonstrate the point, I would offer the following photo taken from the parish archives, showing the high altar as it stood originally:
At some point this canopy would be removed and some colour was added to the vaulting and the tabernacle was restored to the centre of the sanctuary. This is the point we find ourselves at in our immediate "before" state of affairs, which in turn leads us to our consideration of the "after" as well:
Left: Before Right: After
Some will no doubt note the absence of the altar rail. LAJ has been informed that this is also being reinstalled in the coming months.
At the beginning of this article I mentioned how this could quite properly be called a "restoration" given how it was substantially restoring the original look and feel of the church in a great many regards.
However, to this point I would add that there has also been a significant improvement that has been made here, and that is the addition of the newly and beautifully painted apse -- executed by Evergreene Architectural Arts of Brooklyn. This is a major artistic achievement, demonstrating yet again that in pursuing restoration, there is always room for improvement and development.
All in all, a very fine bit of work here that has given the parish renewed and amplified beauty. Congratulations to all involved.
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