From The Mad Monarchist (20 September 2017)
Given recent events, it is clear that the Kingdom of Spain, like most every other West European country, is suffering from a severe lack of confidence and self-esteem. If this film, titled in English as “1898, Our Last Men in the Philippines”, is any indication of the popular culture it is certainly no surprise. It is the story of the last die-hard holdouts of the Spanish empire who, barricaded in a small church in the village of Baler, held out against a far larger force of besieging Filipino rebels from July 1, 1898 to June 2, 1899. I cannot say how the film did with its intended audience but of the Spanish reviews I read, most were positive though, thankfully, almost as many were quite negative. What we have with “1898, Los últimos de Filipinas” is a gorgeous film that throws historical accuracy out the window in an effort to tow the politically correct line and make the Spanish soldiers look as horrible and nasty as all “evil, European imperialists” are supposed to look today. Yet, do not think that the Filipinos escape unscathed either.
The Spanish return |
Teresa, a local 'working girl' |
The Brother, Captain Morenas & Lt. Cerezo |
I should also add that that the only other officer besides the captain and the lieutenant is the doctor, which is not historically accurate at all and should have been obvious given that the Spanish army was rather notoriously top-heavy with an overabundance of officers compared to the number of enlisted men. In any event, the Spanish take possession of Baler and in quick order are attacked by a large force of Filipino rebels, forcing them back into the church which they had prepared to endure a long siege. Here, again, the historical inaccuracies return as they imply many more Spaniards being killed in battle than was reality. Only a handful of Spanish soldiers (literally 3-5) were killed by the Filipino rebels, the vast majority of casualties coming from disease over the many months in a confined, sweltering space with an insufficiently balanced food supply. The Captain soon falls ill and upon his death is succeeded by Lt. Cerezo who refuses to surrender. They endure the occasional attack as well as one foray outside the church to eliminate a rebel artillery piece but for the most part it is a standoff.
Defending the church |
The Roman Catholic Church fares no better. The only religious figure shown (there were actually several) is the missionary Brother Carmelo (played by Karra Elejalde). Here is a man who has devoted his life to the service of God in the most distant and alien lands from his own home. However, in this film he is portrayed as a drug addict who retreats to the cellar to smoke opium from his hidden stash and lament that the Christian Heaven is, I will clean it up a bit and say “crap”, and far inferior to the Muslim Heaven. His only real praise for the Christian religion is that it is preferable to the Buddhist belief in reincarnation since you only have to suffer through one life. He also, before succumbing to disease, allows Carlos to share in his hidden store of opium and so turns him into a drug addict as well which eventually leads to a great deal of agony for Carlos when the supply runs out. The whole sub-plot is insulting and ridiculous as well, as if someone thought that an historical epic about heroism and determination needed to take time out to rip off the plot from “Trainspotting”.
Literally every Filipina in this movie is portrayed as a whore |
If you look close, they did actually get the flag right. |
Marching out after finally giving up |
Wasted potential |
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